American bass Peter Volpe is a consummate artist of today's operatic world whose acclaimed vocal and acting ability captivates audiences and critics across four continents. Mr. Volpe's inspired style and interpretive skill enlivens his repertoire of more than 100 roles in six languages, including signature roles of Don Giovanni, Mephistopheles, and Prince Gremin in Eugene Onegin. Of a recent portrayal as Prince Gremin, Opera News wrote that he "managed to create in his single aria and scene an impressive dignity. His full-bodied bass and great candor of tone, together with his intelligent interpretation, won him a well-deserved ovation". Vocally characterized as "stentorian" by the New York Times, Mr. Volpe is consistently applauded for the powerful command and rich texture of his timbre.
Recent highlights of Mr. Volpe�s career include three broadcasts for the Metropolitan Opera�s Live in HD series: Puccini's Gianni Schicchi (with Il tabarro and Suor Angelica), Rossini�s Armida, and Verdi�s La Traviata, the Verdi Requiem at the Chichester Festival in Chichester, England, and the popular French grand opera Les Huguenots in the role of Marcel at the Bard Festival; the first time the opera was staged in America since the Metropolitan Opera�s production 95 years earlier
In 2007, Mr. Volpe created the role of Antoine Deguiche in the world premiere of David DiChiera and Bernard Uzan�s Cyrano for Michigan Opera Theatre. Recordings of the French Grand Opera�s Les Huguenots and Michigan Opera Theatre�s Cyrano, as well as a DVD of the MET�s Armida, were subsequently released and well-received.
In 2013, Mr. Volpe retains a full calendar. Performances for the bass include Ferrando in Il Trovatore at Arizona Opera, Ramfis in Aida at Michigan Opera Theatre, Daland in Der Fliegende Holl�nder at Glimmerglass Opera, La Forza del Destino at Washington National Opera, Philip II in Don Carlo at Austin Lyric Opera, and Raimondo in Lucia di Lammermoor at Portland Opera.
Additionally this season, Mr. Volpe will continue his concert roles with the music of Richard Wagner at North Carolina Opera, the Verdi Requiem at Chattanooga Symphony, New Jersey Symphony, and Carnegie Hall, and Die Walk�re - Act I, singing the role of Hunding at the American Symphony Orchestra at Bard.
While consistently in demand, Mr. Volpe remains a focused performer, concert soloist, interpreter of song, and talented educator. He was recently invited to teach masters classes and sing concerts as an Opera Week guest artist at Omaha Opera.
Mr. Volpe attributes his technique and knowledge of the bass repertoire to his studies with accomplished Italian basso Nicola Rossi-Lemeni. Over the years, he has honed his repertoire under the batons of notable conductors including Jame Levine, Seiji Ozawa, Valery Gergiev, Sir John Pritchard, Maurizio Arena, Marcello Viotti, Semyon Bychkov, Joseph Rescigno, John DeMain, Vincent La Selva, Richard Buckley, Fabio Armilliato, Yannick Nezet Seguin and Richard Hickox.
Domestically, he has performed at the Metropolitan Opera, the Lyric Opera of Chicago, San Francisco Opera, New York City Opera, Florida Grand Opera, Central City Opera, Florentine Opera, Austin Opera, Arizona Opera, Atlanta Opera, Pittsburgh Opera, Opera Philadelphia, Kentucky Opera, Lyric Opera of Kansas City, Santa Fe Opera, Nashville Opera, Hawaii Opera, Glimmerglass Opera, Spoleto Festival USA, Natchez Festival of Music, Palm Beach Opera, Miami Opera, Portland Opera, Michigan Opera Theatre, Opera Saratoga, Mobile Opera, New Orleans Opera, Washington National Opera and the Bard Festival.
Internationally, he has been acclaimed at the opera houses of Vancouver, Manitoba, Montreal, Ottawa, Edmonton, Quebec, Tokyo, Kyoto, Shanghai, Beijing, Prague, Colmar, Mulhouse, Imola, Riccione, Strasbourg, Stuttgart, Dortmund, Munich, Weurtzburg, Karlsruhe, Bremen, Dusseldorf, and Saarbrucken